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2 Fast2 Furious 2003
A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.
Usage
Include the trigger word 2fst2frs2003 in your prompt.
Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.
Prompt Examples
Here are some prompt examples:
"2fst2frs2003, A bright yellow sedan speeds down a sunlit urban street, its motion blurred slightly as it navigates past a large, leafy tree that dominates the center of the frame. The setting is a commercial district lined with colorful buildings—orange, white, and blue facades—with storefronts, palm trees, and a delivery truck marked “GO” visible in the background. Strong daylight casts dappled shadows across the asphalt, indicating a clear, sunny midday. The dominant colors are the vivid yellow of the car, the lush green of the tree canopy, and the pastel tones of the surrounding architecture. The camera is positioned at street level, offering a wide-angle view that captures the depth of the street and the bustling, open-air atmosphere."
"2fst2frs2003, A man wearing a red knit beanie and a matching red shirt gazes thoughtfully toward the right, his expression contemplative under the warm, golden light of late afternoon. The background reveals a blurred waterfront scene with indistinct structures and a calm, muted sea stretching to the horizon. The dominant reds of his clothing contrast with the soft, dusty tones of the sky and water, while the shallow depth of field keeps the focus tightly on his profile, captured in a medium close-up that emphasizes his quiet introspection."
"2fst2frs2003, A vibrant purple sports car with a prominent rear wing and dual exhaust pipes is driving on a multi-lane highway, closely followed by two other vehicles. The road curves gently to the right, bordered by a concrete barrier and dense green foliage under a bright, hazy sky, suggesting late afternoon or early evening. The dominant colors are the deep purple of the lead car, the gray asphalt, and the lush greenery, contrasted by the pale, washed-out sky. The camera is positioned low and directly behind the purple car, creating a dynamic, immersive perspective that emphasizes speed and motion."
"2fst2frs2003, A sleek, yellow police car is captured from a low front angle, its headlights blazing brightly as it moves forward on a dark, wet road at night. The scene is illuminated by the car’s own lights and distant street lamps, casting sharp reflections on the hood and windshield, while faint city lights glow in the background. Dominant hues of yellow and black contrast with the glowing white headlights, and the camera’s tight, dynamic framing emphasizes the vehicle’s motion and imposing presence."
"2fst2frs2003, A hand grips and shifts a manual gear stick inside a car, with the driver’s leg and part of the dashboard visible. The interior features a silver-trimmed console, a cup holder, and vintage-style knobs, suggesting an older vehicle model. The lighting is dim and warm, casting soft shadows and indicating either early morning or late afternoon. Dominant colors are muted grays, metallic silver, and dark tones, with the skin tone of the hand providing a contrast. The camera is tightly framed from a low angle, focusing on the hand’s motion and the gear stick’s textured grip."
"2fst2frs2003, A battered, airborne vehicle flips violently over in a dusty, enclosed arena, its underside exposed as it arcs through the air, kicking up a plume of dust. Spectators stand behind a chain-link fence, watching intently, while other wrecked cars lie scattered across the sandy ground, some partially buried in debris. The scene is bathed in bright, natural daylight, casting sharp shadows and highlighting the gritty, earthy tones of the arena floor and the faded, weathered paint of the vehicles. Dominant colors include the dusty beige of the sand, the faded red of a nearby pickup, and the muted blues and whites of other damaged cars, contrasted by the stark black of the fence and the metallic sheen of the airborne vehicle. The camera is positioned at a low, wide angle"
"2fst2frs2003, A row of five garage bays with partially open roll-up doors reveals the front ends of several rugged, off-road vehicles parked inside, their headlights glowing faintly. The setting is a large, utilitarian building with beige walls, a red corrugated metal awning overhead, and a smooth gray concrete foreground. The lighting suggests late afternoon or early evening, casting long shadows and bathing the scene in warm, golden tones that contrast with the cool gray of the pavement. The dominant colors are beige, red, and gray, with accents of black and metallic from the vehicles. The camera is positioned low to the ground, offering a wide, eye-level perspective that emphasizes the scale of the building and the vehicles within."
"2fst2frs2003, A vintage blue muscle car with white racing stripes speeds forward on a dusty, unpaved lot, kicking up a cloud of dust behind it, while two other classic cars trail closely behind. In the background, several boats are stored under metal racks and covered awnings, with dense green trees lining the perimeter. The scene is bathed in warm, golden sunlight, suggesting late afternoon, casting long shadows across the ground. The dominant colors are earthy browns and grays of the dirt, contrasted with the vibrant blue of the lead car and the green foliage. The camera is positioned low and centered, capturing the cars head-on as they advance toward the viewer, emphasizing their motion and power."
"2fst2frs2003, A man in a dark suit leans forward intensely, gripping a handheld torch with a bright blue flame erupting from its tip, his mouth slightly open as if shouting or exerting force. The background is a muted, out-of-focus red and gray wall, suggesting an industrial or confined interior space. The lighting is dim and focused, casting sharp shadows on his face and highlighting the vivid blue of the flame against the dark tones of his clothing and the surrounding environment. The camera is tightly framed in a close-up, angled slightly upward to emphasize his strained expression and the immediate danger or urgency of the moment."
"2fst2frs2003, A bald man in a brown checkered shirt stands with his back to the viewer, gazing at a large wall of monitors displaying an aerial view of a parking lot filled with white police cars. The monitors are arranged in three vertical panels, showing the same scene from slightly different angles, with the cars parked in neat rows against a weathered concrete wall. The lighting is dim and artificial, casting a cool, muted tone over the scene, suggesting an interior space at night or in low-light conditions. The dominant colors are shades of gray, white, and the earthy brown of the man’s shirt, contrasted by the red emergency lights blinking atop the vehicles. The camera is positioned behind the man, framing him as a solitary observer in a surveillance-like environment, emphasizing his stillness against the orderly"
"2fst2frs2003, four men stand in a line inside a spacious, well-lit hangar, facing forward with serious expressions, as if awaiting instruction or confrontation. Behind them, two large vehicles are covered with white tarps bearing official seals, and a small helicopter rests in the background near workstations and equipment. The scene is illuminated by bright, even overhead lighting, suggesting daytime, with polished concrete floors reflecting the ambient glow. Dominant colors include muted grays and whites of the hangar, contrasted by the men’s varied attire—beige suits, blue shirts, and dark casual wear—with a touch of red from distant toolboxes. The camera is positioned at eye level, slightly over the shoulder of an unseen person in the foreground, creating an immersive, observational perspective."
"2fst2frs2003, A military-style helicopter, marked with “U.S. CUSTOMS” and registration N263BH, hovers steadily over a sprawling urban landscape, its rotors spinning as it flies low above a complex network of elevated highways and dense residential areas. Below, a baseball field with a green outfield and brown infield is visible near the roadways, while the city stretches into the hazy distance under a clear, bright sky. The scene is bathed in warm, golden sunlight, suggesting late afternoon, with the helicopter’s olive-drab fuselage and the surrounding greenery contrasting against the gray concrete and asphalt. Shot from a high-angle perspective, the camera captures the helicopter in profile, emphasizing its motion and the intricate layout of the city beneath it."
"2fst2frs2003, A bright yellow pickup truck with black racing stripes and chrome wheels is parked on a sunlit street, angled toward the viewer, with a stack of tires visible to its right. Behind it, a black sedan drives past on the road, while storefronts with colorful window displays line the background under a clear sky. The scene is bathed in strong daylight, casting sharp shadows, and the dominant colors are yellow, black, and the gray of the asphalt. The camera is positioned at a low, slightly angled perspective, emphasizing the truck’s aggressive stance and glossy finish."
"2fst2frs2003, A woman in a white outfit is stepping out of a bright yellow and blue modified car, while a man in a dark shirt stands beside it, looking down at the vehicle’s interior. The scene is set inside a spacious hangar, with a white private aircraft visible in the background and several people working or standing around. The lighting is bright and even, suggesting an indoor, well-lit environment during the day. Dominant colors include the vivid yellow of the car, the white of the aircraft and the woman’s clothing, and the dark tones of the man’s shirt. The camera is positioned at a medium shot, capturing the car and the two individuals in the foreground, with the hangar and aircraft providing depth in the background."
"2fst2frs2003, A man with tousled hair sits in the driver’s seat of a car, gripping the steering wheel with a focused, intense expression as he glances toward the side mirror. The interior of the vehicle is visible, with a black seat and door panel, and the blurred motion outside the window suggests the car is moving along a paved road. The lighting is soft and diffused, indicating either early morning or late afternoon, casting gentle shadows across his face and the car’s interior. Dominant colors are muted tones of black, gray, and beige, with a hint of warm light filtering through the window. The camera is positioned close to the driver’s side, angled slightly from the front, capturing his profile and the immediate surroundings inside the car."
"2fst2frs2003, A dark green classic muscle car, featuring white racing stripes and chrome accents, is captured mid-drift, its front end lifted as it slides sideways on a paved road. The scene unfolds at night under artificial streetlights, with blurred background elements including a building facade and faintly glowing signage, suggesting an urban or suburban environment. The dominant colors are deep green, black, and the warm yellow of the streetlights, contrasted by the car’s reflective surfaces. The camera is positioned at a low angle, emphasizing the car’s dynamic motion and the spray of dust or gravel kicked up by its tires."
"2fst2frs2003, A dense canopy of green leaves arches overhead, swaying slightly as if caught in a gentle breeze, with glimpses of a bright, partly cloudy sky peeking through. Below, utility poles and tangled wires stretch across the frame, grounding the scene in a suburban or rural roadside setting. The lighting is natural and diffused, suggesting midday or early afternoon, casting soft highlights on the leaves while leaving deep shadows within the foliage. Dominated by lush greens and the pale blue-gray of the sky, the composition is captured from a low-angle perspective, looking upward through the branches, creating a sense of immersion and movement."
"2fst2frs2003, three figures walk across a modern, glass-enclosed pedestrian bridge with a curved metal roof and crisscrossing yellow support beams. Below, a paved courtyard is bordered by black metal fences and a small patch of grass, with a red object partially visible behind one fence. The scene is bathed in bright, even daylight, suggesting midday, with clear reflections visible in the glass panels. The dominant colors are the muted pink of the surrounding building walls, the green of the bridge’s underside, and the yellow of the structural supports, contrasted against the neutral grays and blues of the pavement and sky. The camera is positioned at a low angle, looking up through the bridge’s structure, emphasizing its architectural lines and the movement of the people within."
"2fst2frs2003, A vintage blue sedan is driving away from the viewer down a straight, two-lane asphalt road, its rear tires kicking up a slight dust trail as it passes a faded “STOP” marking painted on the pavement. The road is flanked by dense green shrubbery and low-lying vegetation, with a body of water visible in the distance under a clear, pale blue sky. The scene is bathed in bright, direct sunlight, suggesting midday, casting sharp shadows from utility poles and the car. The dominant colors are the deep blue of the car, the green of the foliage, and the gray of the road, contrasted by the white and yellow road markings. The camera is positioned at a high, slightly angled perspective, capturing the road’s curve ahead and emphasizing the car’s movement"
"2fst2frs2003, in a wide, open dirt lot under an overcast sky, two men are captured mid-motion, one lunging forward with an outstretched arm while the other bends low, suggesting a sudden, dynamic confrontation or chase. Behind them, a vintage white food truck with purple accents stands near a large, weathered yellow sign reading “WELCOME TO BARSTOW SPEEDWAY,” flanked by stacked tires and colorful fabric barriers. A blue bus and a few other figures are visible in the background, adding depth to the scene. The lighting is flat and diffused, typical of a cloudy day, casting soft shadows and emphasizing the dusty, earthy tones of the ground and the faded colors of the signage and vehicles. The camera frames the action from a low, wide angle, capturing the expansive,"
Training
- Base model: Krea 2 (trained on Raw)
- Type: Style LoRA
- Dataset: 300 images
- Steps: 2000
- Network rank / alpha: 32 / 32
- Learning rate: 0.0002
- Optimizer: adamw8bit
- Resolutions: 512 / 1024
Generation settings
Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.
- Raw: ~30 steps, guidance 3.5
- Turbo: ~8 steps, guidance 1.0
The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.