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The Bourne Identity 2002
A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.
Usage
Include the trigger word brnidntty2002 in your prompt.
Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.
Prompt Examples
Here are some prompt examples:
"brnidntty2002, A red car with a cracked windshield is parked in a dimly lit underground garage, its interior partially visible through the broken glass. To its right, a white van with blue and red stripes is parked, and another white van is partially visible on the far right. The scene is illuminated by overhead fluorescent lights casting stark, elongated shadows on the wet concrete floor, suggesting it’s nighttime or in a poorly lit enclosed space. Dominant colors are deep red, stark white, and muted grays, with the lighting creating high contrast and a gritty, tense atmosphere. The camera is positioned at a low angle, looking slightly upward from the side of the red car, emphasizing the confined space and the damaged vehicle."
"brnidntty2002, A man and a woman stand close together, viewed from behind, as they gaze out through an ornate, black wrought-iron gate into a city street. The gate features intricate scrollwork and geometric patterns, framing the view of parked cars and a yellow van beyond. The scene is dimly lit, suggesting late afternoon or early evening, with soft ambient light casting shadows and highlighting the silhouette of the couple against the brighter exterior. Dominant colors are muted—dark tones of the gate and clothing contrast with the pale walls inside and the gray pavement outside. The camera is positioned at eye level, capturing the couple’s stillness and the quiet urban atmosphere beyond the threshold."
"brnidntty2002, inside a dimly lit vehicle, a young man in a brown knit sweater gazes thoughtfully out the rain-streaked window, his hand resting near his mouth. Beside him, another person is partially visible in soft focus, their face turned slightly toward him, suggesting quiet contemplation or conversation. The muted, cool lighting casts shadows across their features, hinting at an overcast or nighttime setting, with the blurred gray exterior reinforcing a somber, introspective mood. The frame is tightly composed in a close-up profile shot, emphasizing the emotional stillness and intimacy of the moment."
"brnidntty2002, in a dimly lit, cluttered office, a man in a light blue shirt leans over a desk, intently focused on a computer monitor displaying a grid of images, while another person sits in the foreground with their back to the camera, partially obscuring the view. The room is filled with vintage beige computer monitors, stacks of papers, and a large framed painting on a deep red wall, suggesting a busy, possibly investigative workspace. The lighting is low and warm, casting soft shadows and creating a moody, late-afternoon or evening atmosphere. Dominant colors are muted reds, beiges, and dark tones, with the glow of the screens providing the only bright highlights. The camera is positioned over the shoulder of the foreground figure, creating an immersive, observational perspective that draws attention to"
"brnidntty2002, A man with white hair and glasses, dressed in a dark suit and red-striped tie, sits in a dimly lit room, his mouth slightly open as if reacting to something surprising or alarming. Behind him, a shelving unit holds electronic equipment and a cushioned chair, while a doorway in the background reveals a cluttered, out-of-focus space. The lighting casts warm, low tones across the scene, suggesting an indoor evening setting. Dominant colors are muted browns, dark grays, and the red of the tie, framed in a tight medium shot that focuses on his expressive face."
"brnidntty2002, in a dimly lit underground parking garage, several uniformed officers stand near parked vehicles, including a white police van with flashing lights and a visible license plate, while others appear to be engaged in conversation or securing the area. The wet concrete floor reflects the overhead fluorescent lights, casting a cool, artificial glow that contrasts with the deep shadows, suggesting it is nighttime or indoors with no natural light. Dominant colors are muted grays and blacks of the concrete and uniforms, punctuated by the bright yellow of a warning sign on a pillar and the red-and-white striped tape cordoning off a section. The camera is positioned at a low angle, looking slightly upward toward the officers and vehicles, with the pillar and tape in the foreground framing the scene."
"brnidntty2002, A dark sedan travels along a narrow asphalt road that cuts through a vast, snow-dusted orchard, its bare trees arranged in neat, receding rows that stretch toward a distant, hazy horizon. The overcast sky casts a flat, cool light over the scene, with muted whites, grays, and earthy browns dominating the palette, suggesting a late winter or early spring morning. The camera is positioned at a low, wide angle, capturing the road’s curve and the expansive, quiet landscape beyond, emphasizing the isolation and stillness of the rural setting."
"brnidntty2002, A person with white hair and a dark coat stands in a narrow urban alleyway, gently holding another individual whose voluminous, windswept brown hair obscures their face; the second person’s hand rests on the first’s arm. The alley is flanked by weathered buildings with shuttered windows and metal grilles, and a portion of a red-topped vehicle is visible in the foreground. The scene is bathed in cool, diffused twilight light, casting a muted blue-gray tone over the entire frame. The camera is positioned at eye level, capturing the subjects in a shallow depth of field that blurs the background while keeping the figures in soft focus, emphasizing the intimate, motion-filled moment."
"brnidntty2002, A solitary white chapel with a bell tower and cross stands atop a rugged, rocky hillside, its stark silhouette contrasting against a vast, clear blue sky. The foreground is composed of uneven, sun-baked earth and scattered stones, leading the eye toward the chapel, while distant hills and scattered white buildings suggest a coastal village. The lighting is bright and direct, casting sharp shadows and indicating midday, with dominant hues of pale blue, earthy browns, and the crisp white of the chapel. The camera is positioned at a low angle, capturing the scene in a wide, horizontal frame that emphasizes the isolation and serene grandeur of the landscape."
"brnidntty2002, A figure in a dark, shadowy foreground is viewed from a low angle, obscuring their identity while two men stand behind them in a narrow, metallic corridor. The walls are lined with textured, diamond-patterned panels, and filing cabinets are visible in the background, suggesting an institutional or secure environment. The lighting is dim and cool-toned, casting deep shadows and emphasizing the confined space, with the scene appearing to take place at night or in a poorly lit interior. Dominant colors are muted grays and blacks, with the only illumination coming from above, creating a tense, suspenseful atmosphere. The camera is positioned close to the ground, looking up at the figures, enhancing the sense of vulnerability or confrontation."
"brnidntty2002, A quiet Parisian street at dusk, where a grand, stone-faced morgue building with arched entryways and ornate lampposts stands prominently beside a wet road reflecting car headlights. Pedestrians and cyclists move along the sidewalk, while vehicles glide past under the glow of warm streetlights against a dim, cloud-streaked sky. The scene is bathed in cool blues and muted grays, punctuated by golden-yellow light from the lamps and glowing windows, captured in a wide, slightly elevated shot that emphasizes the architecture’s imposing scale and the city’s subdued evening rhythm."
"brnidntty2002, A black sedan with a visible license plate is driving forward on a wet, reflective road at night, its headlights illuminating the slick surface ahead. The scene is framed by a row of evenly spaced, glowing street lamps along a stone balustrade on the left, casting a warm, yellowish glow against the dark surroundings. The overall color palette is dominated by deep blacks and muted grays, punctuated by the bright white and yellow of artificial lighting. The camera is positioned at a low angle, slightly behind and to the side of the car, creating a sense of motion and immersion in the nocturnal urban environment."
"brnidntty2002, A man with glasses, wearing a torn brown jacket stained with blood, grimaces in pain or distress as he looks toward another person partially visible on the right. The setting is a field of dry, golden-brown reeds or tall grass, suggesting a desolate or rural outdoor location. The lighting is flat and diffused, indicating an overcast day, casting muted tones across the scene. Dominant colors are earthy browns and grays, with the stark red of blood providing a sharp contrast. The camera frames the man in a tight close-up, angled slightly from the side, emphasizing his facial expression and the damage to his clothing."
"brnidntty2002, A police officer in a white helmet and dark uniform rides a white motorcycle with blue emergency lights flashing, moving swiftly through a narrow urban street. The background features blurred storefronts with metal shutters and indistinct pedestrians, suggesting motion and urgency. The scene is lit with muted, overcast daylight, casting a cool, grayish tone over the wet pavement and surrounding buildings. Dominant colors are white, dark blue, and gray, with the blue lights providing sharp contrast. The camera captures a side-angle tracking shot, emphasizing speed and the dynamic movement of the motorcycle through the cityscape."
"brnidntty2002, A man in a brown sweater and dark pants stands on the deck of a weathered blue fishing boat, gripping a horizontal beam above him with both hands, his body suspended slightly off the deck. The boat’s interior is cluttered with coiled ropes, green nets, and metal fixtures, with the open sea and a gray, overcast sky visible in the background. The lighting is flat and diffused, suggesting a cloudy day, casting muted tones across the scene dominated by blue, brown, and gray. The camera frames the subject through the boat’s structural beams, creating a narrow, slightly voyeuristic perspective that emphasizes the confined space and the man’s precarious position."
"brnidntty2002, A snow-dusted European street scene features a central ornate stone monument with sculpted figures, flanked by parked cars and bare trees, as a red vintage car drives past. The setting is a narrow, cobblestone-lined road lined with pastel-colored buildings, one displaying a green “CHANGE” sign, under a gray, overcast sky suggesting late afternoon or early evening. The dominant colors are muted whites and grays from the snow and sky, contrasted by the red car and earthy tones of the architecture. The camera is positioned at street level, capturing the scene in a wide shot that emphasizes the monument’s prominence and the quiet, wintry atmosphere."
"brnidntty2002, A man in a dark suit walks toward another man standing beside a silver sedan in a dimly lit underground parking garage, where the second man appears to be gesturing or speaking. The scene is illuminated by overhead fluorescent lights casting a greenish hue, with red pipes running along the ceiling and several parked vehicles, including a black SUV and a silver sedan with its headlights on. The dominant colors are muted grays, blacks, and the greenish tint from the artificial lighting, creating a tense, nocturnal atmosphere. The camera is positioned at eye level, capturing the interaction from behind the walking man, emphasizing the approaching figure and the parked car in the foreground."
"brnidntty2002, A pale yellow van is captured in motion, slightly blurred, as it drives along a wet urban street. In the background, bare trees line a stone wall, and a white police car with flashing lights is visible further down the road. The overcast sky casts a muted, diffused light, suggesting a late afternoon or early evening setting. The dominant colors are the van’s yellow, the gray of the pavement and stone, and the dull blue-gray of the sky. The camera is positioned at a low angle, capturing the van’s side profile as it moves past, emphasizing its motion and the slick, reflective surface of the road."
"brnidntty2002, A person in a dark jacket is inserting a dark glass bottle into a beige, retro-style bottle labeler or barcode scanner resting on a metallic countertop. The machine features a numeric keypad, a small digital display, and a slot for the bottle, with a yellow notepad and red circular sticker visible nearby. The scene is dimly lit with warm ambient light, suggesting an indoor setting during evening or night, casting soft shadows and highlighting the beige and metallic tones of the equipment and surface. The camera is positioned at a low, close angle, focusing tightly on the interaction between the hand and the machine, with the background softly blurred."
Training
- Base model: Krea 2 (trained on Raw)
- Type: Style LoRA
- Dataset: 300 images
- Steps: 2000
- Network rank / alpha: 32 / 32
- Learning rate: 0.0002
- Optimizer: adamw8bit
- Resolutions: 512 / 1024
Generation settings
Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.
- Raw: ~30 steps, guidance 3.5
- Turbo: ~8 steps, guidance 1.0
The preview images were generated with krea2_turbo_mxfp8.safetensors, at 8 steps, guidance 1, LoRA weight 1.