Tabitha Skunk, little sister to Sabrina from the webcomic Sabrina Online. Trained on later era comics when she became a teenager and started emulating Zig Zag's hairstyle but will still do her ponytail if you prompt it to.
If you want to do mature work with it, that permission is currently open but please age her up in works that you do. You start doing weird fetish stuff with her as a kid and I'll have to archive the Lora.
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The age-up stipulation is fantastic. Good on you for that. Awesome Lora trained too. EWS would be floored - and maybe peeved? (Don't know, last time I shared his style and character to him and MBR they didn't say anything).
Those two were never particularly “interactive” creators except for a small circle of other artists of which like half are dead now. You’d think the rush of new fan art would be a good thing since it’s introduced a slew of new people to older characters they never knew existed after they basically stagnated. But who knows, if you’re not on their patreon artists don’t think you exist these days. Which ironically is the main driver behind people doing AI art of characters because everyone disappeared themselves behind a paywall.
@Boilerwash you are not wrong. It took me dropping the mask and showing that I was the administrator and owner of an ancient pay site to even be able to talk to a few of them in the past. I understand they want to make money from their contact with the paywalls for sure but with that they isolate themselves and in turn don't communicate with people who would like to see their projects grow. It has gotten so bad that people that I have spent thousands of dollars on commissions in the past under my real name see that I work with AI and immediately shut everything down and block me or go into some kind of diatribe of how I'm the worst kind of human being out there. Despite the fact that they're practically redrawing golden age and 90s era Disney hybridized with text Avery and Chuck Jones Warner Brothers characters with Dolly Parton proportions.
The artist, Steve Martin, himself made this astute observation back in 2007 when I was at Califur when I had a table next to his. He looked me dead in the eye and told me that he and Bob Guthrie and everyone else drawing anthropomorphic artwork are just Chuck Jones and Disney fanboys with their own original characters "banging around".
Fast forward to 17 years later just about and now let's just say hi guys who are the Fanboys making content because the artists have wrapped themselves up in goon cocoons.
@GoldArt I myself look at it this way. These guys are shooting themselves in the foot with the paywall stuff. Its fine to want to make money off your work but at the same time you just can't completely abandon the public forums. You have to post some stuff for the fun of it to let people know you're still alive and for new people to the fandom to "discover" you so they can go to your patreon in the first place. If you lock yourself up to your little groupies that pay you to make stuff what happens when they all die off or the economy goes bad and they can't keep making $100 commissions? You gotta keep that influx of people fresh and you gotta communicate with them. Karno for example takes commissions for his comics but once the comics made he sends the physical copy to the buyer and posts the comic to the forums. New people find him and ask for more comics. Guys not rich buts its kept a roof over his head and apparently pays for a lot of guns.
Plus the simple fact is if these guys were drawing what people wanted to see AI wouldn't have taken off like it did. I mean I could subscribe to 3 guys patreons at $10 a month but they choose what they draw and out of an entire year you might get 4 or 5 images that you really like, if you're lucky. I can pay this place $30 a month and make as many images of almost any character doing whatever I want. Meanwhile people have been asking EWS for a new Holly and Doug comic on his patreon for like a year and a half and instead he's spent a year on Jane Cottontail being a cum rag for King Kong.









