I've had good generation consistency with Auto/Kerras/Polyexpo on the SDEs and Euler A at LoRA: 0.8 / trigger: 1.1. When it comes to Clip, both 1 and 2 produce good results, though I would recommend 2. Overall, I'm finding that Euler A gives the best results.Prompting - The name should be the first one listed.For the most part, while I do use other models if I'm not seeing what I want, I will mainly use my checkpoints: UberBoop (SD), XLBoopV2 (SDXL), Equus(Pony), and Fluxzilla (Mostly maybe Flux).Additionally, I've started putting "if this model is on any site other than civitai then it is there without permission" in my prompts. Why? Because I'm feeling a bit passive-aggressive. I may need to doink with the permissions to allow for stronger DMCA takedown claims. If this model is on any site other than Civitai then it is there without permission.Not authorized to be on SeaArt.<hr />Jean MarshActor, WriterBorn July 1, 1934 Died	April 13, 2025(90 years)Born in London, Jean Marsh became interested in show business while taking dancing and mime classes as therapy for a childhood illness. After attending a charm school and working as a model, she started acting in repertory and took voice lessons. Her repertory work was supplemented by a number of film appearances as a dancer. She then spent three years in America, appearing in Sir John Gielgud's Broadway production of "Much Ado About Nothing" and numerous TV shows, including an episode of "The Twilight Zone"(1959). Returning to London, she won roles on stage, film, and TV. It was during this period that she appeared in "Doctor Who" (1963), first as Princess Joanna in "The Crusade" and then as Sara Kingdom in "The Daleks' Master Plan." In the early 1970s, she co-created and starred in LWT's "Upstairs, Downstairs" (1971). Since then, she has maintained a very busy career in the theatre, on TV - including a starring role in the US sitcom "9 to 5"(1982) and films such as Return to Oz (1985) and Willow (1988). She also co-created another successful series, "The House of Eliott" (1991).

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