<h1 id="luis-royo-dead-moon-cycle-or-dark-fantasy-illustration-or-lora-(krea2-turbo)">Luis Royo — Dead Moon Cycle | Dark Fantasy Illustration | LoRA (Krea2 Turbo)</h1>LoRA trained on the complete Dead Moon cycle by Luis Royo (1996–2004): the defining dark-fantasy saga of post-apocalyptic amazons, ruined civilizations, twin moons and eroticized warrior mythology. The model captures Royo's signature blend of muscular feminine anatomy, leather-and-chrome barbarian aesthetics, dramatic crimson-and-moonlight lighting, and highly detailed illustration work influenced by heavy metal album covers, Boris Vallejo and Frank Frazetta.Trained and tested on Krea2 Turbo. NSFW-capable base strongly recommended — the Dead Moon cycle is fundamentally about eroticized dark fantasy with partially clad warrior women.<hr /><h2 id="about-the-artist">About the Artist</h2>Luis Royo (born 1954, Ojos Negros, Teruel, Spain) is a Spanish fantasy illustrator, painter and comic artist, one of the most commercially successful fantasy artists of the late 20th and early 21st centuries.<ul><li>Early career: studied furniture design, worked as a comic artist in Spain in the 1970s–80s</li><li>1980s: began producing fantasy illustrations for book covers, role-playing games and magazines</li><li>1990s: international breakthrough via Heavy Metal magazine and album covers for metal bands; published a sequence of bestselling artbooks — Women, Malefic, Secrets, Prohibited Book, Dreams, Nightmares</li><li>1996 — Dead Moon (Vol. 1): the first volume of his most ambitious narrative cycle, introducing the world of the amazons beneath twin moons</li><li>1998 — Dead Moon: Epilog: continuation of the saga</li><li>2003 — Dead Moon: Epilog II and 2004 — Dead Moon: Epilog III: the conclusion of the cycle</li><li>2000s onward: continued artbooks (Ice and Fire, Subversive Beauty, Dome, The Tarot of Luis Royo), plus murals, commissions, and the Dome project in Moscow</li></ul><hr /><h2 id="the-dead-moon-cycle">The Dead Moon Cycle</h2>Dead Moon is a post-apocalyptic dark-fantasy saga set on a world with two moons. After the fall of a once-advanced civilization, surviving amazons rule the ruins — warrior women clad in leather, bone, chrome and tribal marks, wielding swords and firearms, moving through dead cities, desert wastes and sacrificial altars. The cycle mixes:<ul><li>Amazon mythology — all-female warrior societies, ritual combat, goddess worship</li><li>Post-apocalyptic sci-fi — ruined megastructures, crashed ships, decaying technology</li><li>Dark eroticism — the female body as both weapon and altar, never objectified in the pornographic sense but always charged with menace and power</li><li>Heavy metal iconography — skulls, chains, blades, leather, blood, fire</li></ul><hr /><h2 id="the-manner">The Manner</h2><ul><li>Muscular feminine anatomy: Royo's women have visible, defined musculature — fitness-physique rather than pin-up; abs, deltoids, thighs rendered with anatomical precision</li><li>Leather-chrome-barbarian wardrobe: studded leather bikinis, spiked pauldrons, chain accessories, bone and skull ornaments, torn battle-damaged clothing</li><li>Long flowing hair: nearly every figure has long, wind-blown hair (often black, red or silver) — a signature compositional element</li><li>Tribal marks: tattoos, scarification, ritual warpaint, brands, jewelry piercing multiple points</li><li>Dramatic twin-lighting: typically a warm crimson/fire source paired with cold moonlight from the two moons; creates saturated rim-lighting on muscular bodies</li><li>Dead Moon specific palette: blood crimson, midnight black, chrome silver, bone ivory, ash grey, deep violet, desert ochre</li><li>Highly finished illustration style: smooth but detailed rendering with visible brushwork; influenced by airbrush technique of 1980s–90s fantasy art; closer to Boris Vallejo and Simon Bisley than to classical painting</li><li>Compositionally vertical: most pieces are portrait-format book covers, the figure dominating a ruined or atmospheric background</li><li>Atmospheric depth: mist, dust, ash, fire-glow, moonlight halos — heavy use of environmental effects</li><li>Skulls and bones as recurring motifs: often worn as jewelry, mounted on weapons, or embedded in the environment</li></ul><hr /><h2 id="tested-generation-settings">Tested Generation Settings</h2>ParameterValueBase modelKrea2 TurboVAE<code>qwen_image_vae</code>Text encoder<code>qwen3vl_4b_fp8_scaled</code>Steps8SamplerEuler aSchedule typeBong TangentCFG scale1Resolution1536×2048 (portrait — the cycle's native format)LoRA weight0.85–1.0Negative prompt not required at CFG 1.<h2 id="versions">Versions</h2><ul><li>Epoch 17 (current) — captures both the detailed illustration technique and the Dead Moon cycle's specific aesthetic (twin moons, amazons, leather-and-chrome barbarian look). Stable on Krea2 Turbo at 8 steps.</li></ul><hr /><h2 id="rights-and-ethics">Rights &amp; Ethics</h2>Luis Royo is a living artist (b. 1954); his works are protected by copyright. This LoRA is a non-commercial, educational and fan-art tool. Do not use it to produce works for sale or to imitate the artist in a misleading way. Credit the artist when publishing results.

Files with SHA256: 8a85c39359866dc8f79be00a0fe6cadea9c20b0f9e199121224ab6586b2695f2