<h1 id="premium-character-loras">Premium character LoRAs</h1>Original synthetic characters, bundles and AI tools are in my shop:<a target="_blank" rel="ugc" href="https://rkrra.com/civitai">https://rkrra.com/civitai</a>Get the character LoRAs on Patreon: <a target="_blank" rel="ugc" href="https://www.patreon.com/cw/RkRRa">https://www.patreon.com/cw/RkRRa</a>Join the community on Discord: <a target="_blank" rel="ugc" href="https://discord.gg/nB79wRNtMT">https://discord.gg/nB79wRNtMT</a><h2>Adaptation 2002</h2>A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.<h3>Usage</h3>Include the trigger word <code>adpttn2002</code> in your prompt.Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.<h3>Prompt Examples</h3>Here are some prompt examples:<blockquote>"adpttn2002, A person with shoulder-length hair, wearing a dark blue baseball cap and a light blue striped shirt, is bent forward, seemingly focused on something just out of view in the undergrowth. The setting is a dense, moss-covered forest with tangled tree branches and vibrant green foliage framing the scene, suggesting a humid, natural environment. Soft, diffused lighting indicates an overcast day or a shaded woodland interior, casting muted tones across the frame. Dominant colors are earthy greens, browns, and the faded blue of the shirt and cap, creating a subdued, natural palette. The camera captures the subject from a rear three-quarter angle, emphasizing their posture and immersion in the surroundings."</blockquote><blockquote>"adpttn2002, A person in light-colored clothing is stepping out of the driver’s side of a vintage car, their arm and torso visible as they exit. The interior of the car features a wood-trimmed dashboard, a classic steering wheel with a central emblem, and a cassette player, while the view through the windshield reveals a residential porch with white railings and greenery. Bright, natural daylight illuminates the scene, suggesting midday, casting soft shadows inside the vehicle. Dominant colors are muted blues and grays of the car’s interior, contrasted with the white of the exterior and the green of the foliage. The camera is positioned from the passenger’s perspective, looking forward through the windshield and slightly angled toward the open door, capturing the moment of departure."</blockquote><blockquote>"adpttn2002, A group of uniformed officers and civilians are gathered on a dusty roadside, with some kneeling or crouching near the ground, suggesting an investigation or search is underway. Several white sheriff vehicles, including a pickup truck and a sedan with flashing lights, are parked along a narrow road flanked by dense green foliage. The scene is lit by soft, diffused daylight, likely late afternoon, casting muted shadows and giving the image a hazy, natural tone. Dominant colors are the green of the trees, the white of the vehicles, and earthy browns of the road and vegetation. The camera is positioned at a low, slightly angled perspective from behind one of the vehicles, framing the scene through partially obscuring leaves in the foreground."</blockquote><blockquote>"adpttn2002, A close-up shot captures several distinct, parallel lines of vibrant green powder scattered across a dark, textured surface, with a white cylindrical object and a metallic pen lying nearby. The scene is lit with low, directional lighting that casts soft shadows and highlights the fine texture of the powder, suggesting an indoor setting during evening or night. Dominated by deep blacks and rich greens, the composition uses a shallow depth of field to focus attention on the powder’s ridges while blurring the foreground and background elements. The camera is positioned at a low angle, emphasizing the granular detail and creating a sense of intimacy with the subject."</blockquote><blockquote>"adpttn2002, A bare foot rests on a patch of sunlit green grass, partially obscured by dense foliage, suggesting someone is reclining or sitting low to the ground. The setting is a lush, overgrown garden filled with vibrant red bottlebrush flowers and large, broad-leafed plants, framed by tangled branches and leaves that create a natural, dappled canopy. Bright, direct sunlight filters through the leaves, casting sharp highlights and deep shadows, indicating a midday scene. Dominant colors are rich greens, vivid reds, and earthy browns, with the camera positioned at a low angle, looking upward through the vegetation to emphasize the immersive, wild nature of the environment."</blockquote><blockquote>"adpttn2002, A group of people is gathered in a spacious indoor greenhouse or conservatory, attentively examining rows of vibrant orchids in full bloom, with some individuals leaning in closely to inspect the flowers. The setting is filled with lush greenery, including large tropical leaves and decorative plant arrangements, under bright, even fluorescent lighting that suggests an indoor exhibition or competition. The dominant colors are soft pinks and purples of the orchids, contrasted with deep greens and neutral tones of the walls and flooring. The camera is positioned at eye level, capturing the scene from a wide angle that includes both the foreground floral displays and the crowd of visitors in the midground, with a white support column partially framing the right side of the shot."</blockquote><blockquote>"adpttn2002, A man in a dark sweater and trousers stands alone on a wooden stage, gesturing slightly as if mid-speech, with a small stool and a lectern beside him holding a vintage portable projector. The setting is an auditorium with vertical wood-paneled walls, a polished stage floor, and a seated audience in dim foreground darkness, while a red exit sign glows faintly in the upper left. Warm, focused stage lighting illuminates the speaker and the stage, casting soft shadows and creating a contrast with the darker audience area, suggesting an indoor evening event. The dominant colors are rich browns and deep maroons from the wood and clothing, accented by the cool white of the projector and the red of the exit sign. The camera is positioned at a high angle from the audience, looking"</blockquote><blockquote>"adpttn2002, A group of six people are gathered around a dining table, laughing and engaging in animated conversation during a warm, intimate dinner. The setting is a cozy, dimly lit dining room with white-framed windows, wooden chairs, and a white tablecloth adorned with wine glasses and plates of food. The lighting is soft and golden, suggesting an evening setting, casting gentle shadows and highlighting the rich browns of the wood and the deep tones of the guests’ clothing. The camera is positioned at eye level, capturing the group from a slightly angled perspective that emphasizes their interaction and the convivial atmosphere."</blockquote><blockquote>"adpttn2002, A man with long hair and a mustache, wearing a dark cap with a logo and a striped shirt, grips the steering wheel while looking back over his shoulder with a slight smile. He’s seated inside a vehicle, with a blurred green outdoor scene visible through the window, suggesting motion. The lighting is soft and diffused, indicating an overcast day or shaded environment, with muted tones of gray, green, and earthy browns dominating the palette. The camera is positioned close, capturing a medium shot from the passenger’s side, emphasizing his expression and the interior details of the car."</blockquote><blockquote>"adpttn2002, A solitary figure wearing a wide-brimmed hat stands partially obscured by dense, tangled vegetation in a swampy, marshy environment, appearing to be wading or standing still near shallow water. The setting is thick with tall reeds, moss-draped trees, and wispy, feathery plant stalks that frame the scene, creating a sense of isolation and natural overgrowth. The lighting is dim and diffused, suggesting an overcast day or the soft glow of early morning or late afternoon, casting muted shadows and enhancing the earthy tones. Dominant colors are deep greens, browns, and grays, with subtle hints of pale beige from the dried plant matter. The camera is positioned at eye level, framed through the foreground reeds, giving the viewer a voyeuristic"</blockquote><blockquote>"adpttn2002, A green station wagon is captured in motion on a multi-lane city street, its rear license plate visible as it travels alongside other vehicles. The setting is an urban thoroughfare lined with mid-rise buildings featuring muted tones and commercial signage, with palm trees visible in the distance under a hazy sky. The lighting suggests a bright, overcast daytime, casting soft shadows and giving the scene a slightly washed-out, vintage feel. Dominant colors are the gray of the pavement and buildings, contrasted with the green of the car and the yellow of the road markings. The camera is positioned at street level, tracking the car from a side-rear angle, creating a sense of movement and immersion in the traffic flow."</blockquote><blockquote>"adpttn2002, A woman in a light blazer sits at a cluttered office desk, smiling as she engages in conversation with a man seated across from her, his back to the camera. The setting is a modern office with large windows revealing a cityscape of glass buildings and greenery outside; behind the woman, a vintage CRT monitor and a red desk lamp sit beside stacks of books and pill bottles. Natural daylight streams in, casting soft shadows and illuminating the warm wood tones of the furniture and the muted purples and beiges of the scene. The camera is positioned at eye level, framed through a glass partition, creating a sense of observation from just outside the interaction."</blockquote><blockquote>"adpttn2002, A white utility trailer is parked on the side of a quiet residential street, viewed from inside a vehicle with the rearview mirror partially visible in the upper left. A large, weathered sign for “Seminole Nursery” stands near a chain-link fence, flanked by potted plants and palm trees, with a pedestrian crossing sign mounted on a pole nearby. The sky is a muted blue-gray, suggesting an overcast or late afternoon setting, and the wet pavement reflects the subdued light. Dominant colors are the gray of the asphalt and sky, the green of foliage, and the white of the trailer and sign. The camera is framed from a low, slightly tilted angle, looking out through the windshield, giving a sense of being in the driver’s seat."</blockquote><blockquote>"adpttn2002, A close-up shot focuses on a white rectangular label with the word “GLAMOUR” printed in dark serif font, positioned above a smaller square plaque displaying the number “16.” The label is mounted on a pale gray wall, flanked by other partially visible signs, including one with the letters “MAD” and “HUMAN” and another with “INE,” suggesting a catalog or classification system. The lighting is even and diffused, casting soft shadows and indicating an indoor, possibly institutional or archival setting. The dominant colors are muted grays and off-whites, with the dark brown text providing contrast. The camera is angled slightly downward, emphasizing the labels and their orderly arrangement."</blockquote><blockquote>"adpttn2002, A woman in a black blazer and white blouse steps out of an elevator, her gaze directed downward as she moves forward. Behind her, a wooden panel displays the words “THE NEW YORKER” in raised metallic lettering, while the elevator’s control panel to the right shows a red upward arrow and floor buttons. The scene is lit with warm, ambient indoor lighting, casting soft shadows and highlighting the rich brown tones of the walls and wood paneling. The camera frames the subject from a medium shot, slightly angled to capture both her movement and the surrounding elevator interior."</blockquote><blockquote>"adpttn2002, A weathered white Chevrolet van, bearing a Florida license plate, is parked at an airport curb, with its rear doors closed and a faint rust stain visible on the lower right panel. To the right, a group of travelers in business attire stands near a terminal entrance marked with “Miami Air” and gate number “2,” some pulling rolling suitcases while others converse. The scene is bathed in bright, direct sunlight, casting sharp shadows on the pavement, suggesting midday. The dominant colors are the van’s off-white, the travelers’ dark suits and light shirts, and the gray asphalt, contrasted by the vivid blue of the sky and signage. The camera is positioned at a low, rear-facing angle, capturing the van’s full back and the activity beside it, emphasizing the contrast between"</blockquote><blockquote>"adpttn2002, A fuzzy, dark-bodied insect with translucent wings is perched on a dew-covered flower, its proboscis extended as it feeds on nectar. The background is softly blurred with deep greens and shadows, suggesting a dense, shaded garden or forest undergrowth. The lighting is dim and diffused, casting a cool, natural glow that highlights the glistening droplets on the petals and the insect’s hairy thorax. Dominated by muted greens, dark grays, and subtle purples, the frame is tightly cropped from a low angle, emphasizing the insect’s intimate interaction with its floral environment."</blockquote><blockquote>"adpttn2002, A man with a mustache, wearing a patterned short-sleeve shirt and a baseball cap, stands beside a weathered white van, gesturing with his right hand as if speaking or arguing. The setting is an outdoor residential area with green grass, shrubs, and a building in the background, under bright, direct sunlight that casts sharp shadows, suggesting midday. The dominant colors are the white of the van, the green of the grass, and the muted tones of the man’s clothing. The camera frames the scene from a medium shot, angled slightly to capture both the man and the side of the van, emphasizing the interaction between the subject and the vehicle."</blockquote><blockquote>"adpttn2002, A collection of glass jars and conical flasks, many sealed with foil or plastic lids, are arranged on a tiled surface, each containing sprouting plant matter or soil, suggesting a controlled germination or experimental setup. The setting is dimly lit, with shadows dominating the scene, casting a moody, almost clandestine atmosphere, likely indoors under artificial light during nighttime or in a low-light environment. The dominant colors are deep browns, muted grays, and dark greens, punctuated by the occasional metallic sheen of lids and the faint glow of the light source. The camera is positioned at eye level, capturing the arrangement in a tight, slightly angled shot that emphasizes the density and mystery of the setup."</blockquote><h3>Training</h3><ul><li>Base model: Krea 2 (trained on Raw)</li><li>Type: Style LoRA</li><li>Dataset: 244 images</li><li>Steps: 2000</li><li>Network rank / alpha: 32 / 32</li><li>Learning rate: 0.0002</li><li>Optimizer: adamw8bit</li><li>Resolutions: 512 / 1024</li></ul><h3>Generation settings</h3>Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.<ul><li>Raw: ~30 steps, guidance 3.5</li><li>Turbo: ~8 steps, guidance 1.0</li></ul>The preview images were generated with <code>krea2_turbo_mxfp8.safetensors</code>, at 8 steps, guidance 1, LoRA weight 1.

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