<h1 id="premium-character-loras">Premium character LoRAs</h1>Original synthetic characters, bundles and AI tools are in my shop:<a target="_blank" rel="ugc" href="https://rkrra.com/civitai">https://rkrra.com/civitai</a>Get the character LoRAs on Patreon: <a target="_blank" rel="ugc" href="https://www.patreon.com/cw/RkRRa">https://www.patreon.com/cw/RkRRa</a>Join the community on Discord: <a target="_blank" rel="ugc" href="https://discord.gg/nB79wRNtMT">https://discord.gg/nB79wRNtMT</a><h2>The Italian Job 2003</h2>A style LoRA for Krea 2. Applies a consistent visual treatment without locking the subject matter.<h3>Usage</h3>Include the trigger word <code>itlnjb2003</code> in your prompt.Recommended weight: 1. Start there and adjust — styles often read well below 1.0, and lower weights blend more naturally with other LoRAs.<h3>Prompt Examples</h3>Here are some prompt examples:<blockquote>"itlnjb2003, A white van is parked on a stone-paved driveway, angled slightly as if having just arrived or preparing to depart, with a small dog sitting calmly nearby. The setting is a lush, tree-lined estate with ivy climbing the stucco walls of a Spanish-style building, featuring arched doorways and a window with metal bars. The lighting is soft and diffused, suggesting late afternoon or early evening, casting gentle shadows through the dense foliage. Dominant colors are earthy beige and green, with the white van providing a clean contrast. The camera is positioned at a low, wide angle, capturing the driveway’s perspective leading toward the van and the house, framed by the natural canopy of trees."</blockquote><blockquote>"itlnjb2003, in a dimly lit, cluttered interior, two figures stand near a central table, one holding a firearm while the other observes, suggesting a tense confrontation. The room is filled with vintage furnishings, including a glass-front cabinet, a small television, and ornate lamps casting warm, directional light, with smoke drifting from an unseen source near the floor. The dominant colors are deep browns, muted grays, and the amber glow of artificial lighting, creating a moody, shadow-drenched atmosphere. The camera is positioned at a high angle, looking down into the space, emphasizing the isolation and gravity of the moment."</blockquote><blockquote>"itlnjb2003, three compact cars with bright headlights are parked side by side on a set of railway tracks inside a dimly lit, industrial tunnel. Behind them, a large arched tunnel entrance glows faintly with red warning lights, while to the right, a glass-walled control booth emits a greenish glow, revealing machinery inside. The scene is bathed in stark, artificial lighting that casts sharp shadows, emphasizing the metallic and concrete textures, with dominant colors of dark gray, black, and muted reds. The camera is positioned at a low angle, capturing the cars head-on and emphasizing their proximity to the tracks and the looming tunnel structure."</blockquote><blockquote>"itlnjb2003, A man with short hair, wearing a dark jacket and an earpiece, stares intently forward with a focused, serious expression. The background is dimly lit and out of focus, suggesting an indoor, possibly tense or clandestine environment with faint shapes and warm-toned bokeh. The lighting is directional, casting sharp highlights on his face while leaving the periphery in shadow, indicating a controlled, dramatic illumination likely during evening or night. Dominant colors are deep blacks and muted browns, with a warm glow accentuating his skin. The camera is tightly framed in a close-up, angled slightly from below to emphasize his intense gaze and the gravity of the moment."</blockquote><blockquote>"itlnjb2003, A young person wearing a dark baseball cap and large, reflective goggles looks upward with an expression of surprise or excitement, mouth slightly open. The setting appears to be a dimly lit, industrial or mechanical space, with blurred metallic structures and a glowing red light visible in the background. The lighting is low and focused, casting strong shadows and highlighting the subject’s face with a cool, ambient glow, suggesting nighttime or an enclosed, artificially lit environment. Dominant colors are deep blues, blacks, and muted metallic tones, punctuated by the red glow and reflective surfaces. The camera is tightly framed on the subject’s face, angled slightly from below, emphasizing their reaction and creating an intimate, immersive perspective."</blockquote><blockquote>"itlnjb2003, from inside a moving vehicle, a group of people are seen walking briskly through a dimly lit, modern transit station corridor, some heading toward escalators while others move along the tiled walkway. The setting features sleek metallic railings, tiled floors, and overhead lighting fixtures casting a cool, artificial glow, with a few individuals seated on benches to the side. The dominant colors are muted grays, metallic silver, and dark tones, punctuated by the occasional red indicator light. The camera is positioned low, looking forward through the vehicle’s windshield, creating a sense of motion and immersion in the urban environment."</blockquote><blockquote>"itlnjb2003, A dark, circular concrete tunnel is filled with cars moving forward in a single file, their headlights piercing the gloom and illuminating the wet, textured walls. The scene is set at night, with the only light sources being the bright white headlights of the vehicles and a faint red glow visible ahead, suggesting a traffic signal or exit. The dominant colors are deep blacks and grays of the tunnel, contrasted by the stark white of the headlights and the occasional red accent. The camera is positioned from the perspective of a car in the foreground, looking straight ahead down the tunnel’s length, creating a sense of confinement and forward motion."</blockquote><blockquote>"itlnjb2003, A large, rusty dump truck is being loaded with scrap metal by a heavy-duty crane, its clawed arm poised above a towering pile of crushed aluminum and steel. The scene unfolds in a sprawling industrial scrapyard, with a massive steel arch bridge spanning the background under a clear, bright blue sky. The lighting is harsh and direct, casting sharp shadows and indicating midday, while the dominant colors are the dull browns and grays of the machinery and debris, contrasted by the vibrant red of the truck’s cab and the cool blue of the sky. The camera is positioned at a low, wide angle, capturing the scale of the operation and the imposing presence of the crane and bridge."</blockquote><blockquote>"itlnjb2003, A silhouetted figure stands in the foreground, gazing into a grand, dimly lit room, their back to the viewer. The space is richly appointed with ornate wood paneling, a tall bookcase filled with books, and a large window with intricate leaded glass that casts soft, diffused light into the room. The dominant colors are deep browns and muted golds, with the bright window creating a stark contrast. The camera is positioned at eye level, framed through a doorway, emphasizing the figure’s contemplative stance and the opulent, shadowy interior."</blockquote><blockquote>"itlnjb2003, A person in a dark, textured coat stands beside a silver car, their hand resting on the open window frame as if preparing to enter or having just exited. Behind them, a pile of crumpled, reflective metal scrap glints under bright daylight, suggesting an industrial or junkyard setting. The scene is lit with harsh, direct sunlight casting sharp shadows, emphasizing the contrast between the dark coat and the metallic sheen of the car and debris. Dominant colors are muted grays, silvers, and deep blacks, with the bright daylight creating high contrast. The camera is positioned at a low, close angle, focusing tightly on the person’s torso and the car’s side, partially obscuring the view with the coat’s fabric."</blockquote><blockquote>"itlnjb2003, A pair of hands is captured mid-motion, pressing keys on a laptop keyboard, with fingers slightly blurred to convey active typing. The scene is set in a dimly lit environment, where the only illumination comes from the glowing keyboard and a soft backlight, casting the hands in partial silhouette. Dominant colors are muted, with deep shadows contrasting against the cool, reflective silver of the laptop’s frame and the stark white of the keyboard backlight. The camera is positioned at a low, close-up angle, focusing tightly on the hands and keyboard, with the background softly out of focus to emphasize the act of typing."</blockquote><blockquote>"itlnjb2003, A convoy of police cars, including a vintage black sedan with a white roof and red/blue emergency lights, navigates a curved asphalt road lined with trees and grass. The scene is set during daylight with overcast skies, casting soft, even light across the vehicles and surroundings, which are dominated by shades of black, gray, and muted green. The camera captures the procession from a low, slightly angled perspective, emphasizing the motion and formation of the cars as they move forward in unison."</blockquote><blockquote>"itlnjb2003, A man with a shaved head is seated inside a vehicle, intently peering through a pair of binoculars held up to his eyes, his expression focused and alert. Beside him, another person is partially visible, their face turned slightly away, while a third hand holds a camera or recording device near the frame’s edge. The interior of the car is dimly lit, with soft, diffused daylight filtering through the windows, suggesting an overcast or shaded outdoor environment. The dominant colors are muted—grays, blacks, and earthy tones—with the metallic sheen of the car’s interior and the dark silhouette of the binoculars standing out. The camera is positioned at a tight, over-the-shoulder angle, emphasizing the man’s concentration and creating a sense of intimacy"</blockquote><blockquote>"itlnjb2003, A close-up shot captures a cluster of small, dark insects crawling across a textured, metallic surface, their bodies glistening under focused light. The background is blurred, revealing indistinct mechanical components and a faint red glow, suggesting an industrial or mechanical setting. The lighting is low-key and directional, casting sharp highlights on the insects and the surface while leaving the surroundings in deep shadow, emphasizing a gritty, metallic palette of grays and blacks. The camera is positioned at a shallow depth of field, angled slightly downward to emphasize the insects’ movement across the ridged texture."</blockquote><blockquote>"itlnjb2003, A vehicle is captured from a rear passenger’s perspective, driving under an overpass with two green highway signs mounted above, indicating directions to Mission Street, 1st Street, and Union Station. The setting is an urban freeway environment, with the overpass’s concrete barrier and hexagonal ventilation holes visible, and trees lining the distant roadside. The lighting is flat and diffused, suggesting an overcast day, with muted tones of gray and green dominating the scene. The camera is framed from inside the car, with the top of the vehicle’s windshield and rearview mirror partially obscuring the view, creating a sense of motion and immersion."</blockquote><blockquote>"itlnjb2003, A forensic team is actively investigating a crime scene inside a dimly lit, upscale home, with one person kneeling to examine a chalk outline on the hardwood floor while others stand nearby holding evidence bags and equipment. The setting features ornate wooden railings, a staircase descending into the frame, and a hallway lined with doors and wall sconces, all cordoned off with yellow police tape and marked by red cones. The lighting is low and atmospheric, with a single bright lamp casting sharp shadows, suggesting late afternoon or early evening. Dominant colors are warm browns and muted beiges from the wood and walls, contrasted by the stark white chalk and bright yellow tape. The camera is positioned at a low angle from the landing, looking down the hallway, creating a sense of depth and immersion into"</blockquote><blockquote>"itlnjb2003, A silhouetted figure stands in a dimly lit industrial garage, gesturing toward a red sports car parked just inside the open bay doors. The setting is a utilitarian workspace filled with equipment like forklifts, hoses, and chain barriers, with an “EXIT” sign visible on a door behind the figure. Bright daylight floods in from the large open doors, creating a high-contrast scene with deep shadows inside and a washed-out, overexposed exterior view. Dominant colors are muted grays and blacks of the interior, punctuated by the vivid red of the car and the stark white of the exit sign. The camera is positioned at a low angle, looking slightly upward, framing the scene with the structural beams and open doors creating a sense of depth and scale."</blockquote><blockquote>"itlnjb2003, A sleek, white motorboat speeds through a narrow canal, its bow cutting through the water and creating a frothy wake, as a person steers from the cockpit. The canal is flanked by historic brick and stone buildings, with wooden walkways and steps leading down to the water, and other boats moored along the edges. The scene is lit by bright, natural daylight, casting sharp reflections on the choppy water and highlighting the warm tones of the architecture against the cool blues and grays of the water. The camera is positioned low and close to the water’s surface, capturing the boat’s motion and the surrounding urban environment from a dynamic, immersive angle."</blockquote><blockquote>"itlnjb2003, A vintage red Mini Cooper with white racing stripes and a chrome grille with four auxiliary headlights drives forward on a city street, surrounded by modern cars in traffic. The scene unfolds on a paved road lined with parked vehicles and a brick sidewalk, under soft, diffused daylight that suggests late afternoon. Dominant colors are the car’s bold red, contrasted with white accents and the muted grays of the urban environment. The camera is positioned at a low, head-on angle, emphasizing the car’s classic design and motion as it navigates the busy street."</blockquote><blockquote>"itlnjb2003, A surveillance monitor displays a live feed of a parking lot with a white sedan driving through an empty space, surrounded by parked vehicles, while overlaid digital interfaces show tracking data, timestamps, and a map with highlighted routes and coordinates. The scene is captured from a high-angle aerial view, with the monitor’s interface dominated by black, orange, and green hues, suggesting a nighttime or low-light operational context. The lighting is artificial and stark, casting sharp shadows, and the composition blends real-time footage with analytical overlays to emphasize a high-tech, tactical monitoring environment."</blockquote><h3>Training</h3><ul><li>Base model: Krea 2 (trained on Raw)</li><li>Type: Style LoRA</li><li>Dataset: 300 images</li><li>Steps: 2000</li><li>Network rank / alpha: 32 / 32</li><li>Learning rate: 0.0002</li><li>Optimizer: adamw8bit</li><li>Resolutions: 512 / 1024</li></ul><h3>Generation settings</h3>Trained on Krea 2 Raw, and transfers to Krea 2 Turbo for faster generation.<ul><li>Raw: ~30 steps, guidance 3.5</li><li>Turbo: ~8 steps, guidance 1.0</li></ul>The preview images were generated with <code>krea2_turbo_mxfp8.safetensors</code>, at 8 steps, guidance 1, LoRA weight 1.

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